Every now and then, you write a poem that you think will never find its true readers. “The Great and Marvelous Sugar Baby Has (Not) Spoken” was one of those poems for me. A persona meets ekphrastic poem about a now long-gone work of art. Luckily, the women at Visitant, a new journal for literary pilgrims, decided to publish it.
The Domino Sugar factory where Kara Walker erected her astonishing sugar baby sculpture may be no more but the sugar baby herself gets to (still) have the last word...
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